fashion world

The Top 10 Shoes of Milan Men’s Fashion Week Spring 2023

By Jerome N. Williams 40 mins ago

With Milan Men’s Fashion Week’s spring-summer ’23 season done and dusted, one trend stands above them all:  There will be something for everyone next year. As fashion continues to find its footing (no pun intended) in a post-(and ongoing) pandemic world, it is individuality that seems to be defining fashion for all genders.

Milan’s spring ’23 men’s season continued to push the dress shoe over the once-ubiquitous fashion sneaker, though there is still room for the athletic staple in any collection. With any warm-weather season in the recent past, a slide sandal can be expected. Elsewhere

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Here, a closer look at the top 10 shoes of Milan Men’s Fashion Week’s spring ’23 season.

1. Prada’s Cuban heels with a Western edge

The Italian fashion brand is known to set the tone for both styling and individual product, and both made big statements for spring ’23 menswear.

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‘The World is Watching’: What to know about the return of Magic City Fashion Week

By Jerome N. Williams 1 day ago

Soon after a hiatus because of to the COVID-19 pandemic, Magic Metropolis Vogue 7 days is established to return. This calendar year, the collaboration of art and trend will operate from June 9 to June 12.

Launched in 2017 by Daniel Grier, the mission of Magic Town Vogue Week is to cultivate, connect, and showcase the artistic group of Birmingham through fashion.

Now in its fourth period, Magic Town Manner 7 days has returned with an expanded crew and the most robust year of programming in two a long time. This year’s concept is “The Entire world is Looking at.”

Recycled Runway

A piece from the Recycled Runway collaboration with Magic City Vogue 7 days and Bibb and Ticker Sew-Op (Shauna Stuart for AL.com)

Grier described this year’s topic in a are living video clip previous month on the the Magic City Manner Week Instagram account.

“When men and women have

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World’s Oldest Fashion School ESMOD Unveils Meta-Wear Design Course

By Jerome N. Williams 2 days ago

Coming next drop, the oldest style faculty in the entire world, Paris’s ESMOD, will provide a Meta-Use course committed to electronic trend style and design.

Véronique Beaumont, the controlling director of ESMOD, describes how training in this area is essential for the following generation of designers, who will study to convey jointly craftsmanship, technical know-how and new technologies. In shorter, what is needed for shaping the future of fashion.

Why did the school determine to make this Meta-Have on class devoted to electronic trend style and design?

It was important to do so in get to react to the anticipations of this new generation of students, as effectively as to adapt to the modifications having location in the vogue market. We did study on this challenge and realised that it was critical to bolster electronic application education.

It’s not thoroughly new, mainly because we currently experienced a partnership with Lectra

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Artist Daniel Arsham Is Starting His Own Brand

By Jerome N. Williams 3 days ago

The American artist Daniel Arsham, whose megahit “future relic” sculptures have manufactured him a go-to buzz health care provider for the fashion market, is launching a trend label of his have. Objects IV Life, as it is termed, debuts with an inaugural assortment of hardy outerwear, denim, and add-ons including a pair of steel-toed perform boots. The brand name is a joint venture with Stefano Martinetto of the London-dependent brand name incubator Tomorrow, which has also bolstered designers Martine Rose and A-Chilly-Wall*’s Samuel Ross. Its inaugural collection debuted currently at Kith’s Paris flagship and on the brand’s web site.

“Objects IV Life is an evolving evidence of principle, an unlimited work in development, a tangible manifesto for transform: you are the auto,” Arsham claimed in a press release, evoking the utopian spirit of other ethos-forward streetwear models like Scott Sternberg’s now-shuttered Entireworld, and the function-in-development spirit of Virgil Abloh’s

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